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It doesn’t hurt that I find the ost horribly melodramatic at times, and it completely rips me out of scenes I would normally give a shit about. It makes emotional moments so manipulative that it’s almost lame? There are pages of the manga, same arcs mind you, where I was feeling sincerely emotional, because Horikoshi’s art and paneling can be that legitimately powerful. Recently, I got sick with both the flu and COVID in the same week, and while I was in my various fever states straining to hold my body together after having it internally beaten with a leather belt, mha was the only show I could actually pay attention to since everything else was “too thinky for me.” Even so, I pondered to myself, “Am I too old for shonen anime adaptations?” I know I’m not too old for shonen, because I like earnest camp affair like Fist of the North Star, and shows like Yu Yu Hakusho and Hunter x Hunter are among my favorites. Hell, I LIKE the My Hero Academia manga as a whole despite the constant issues that’s plagued its narrative pacing in the last two years. But, when I was half-awake—half-dead, watching—gobsmacked, Bakugo garrulously repeating exposition the audience should already know in the midst of a fight between Deku and Shiguraki that mostly amounted to speed line infused panning shots; only to then have one of the most important and cathartic emotional climaxes of the series be depicted as a FUCKING STILL FRAME, I considered that maybe for shonen anime, I was. Izuku Midoriy, a.k.a. Deku, was born without any Quirk, until he met All Might who passed his Quirk “One For All” to him. …